Music as Therapy?
July 2, 2008
Frustrated in a gridlocked?
Job got you stressed out?
The children have you going crazy?
You pop in your favorite tune and you take a deep breath and as if by magic for a few minutes nothing matters anymore!
No it’s no magic! It’s music and it’s power!
Truly amazing isn’t it?
Even plants responds to music as was proven by some researcher at a well known university in the USA.
Why? Many reasons, I am sure some scientist would quote something about physiological responses to stimuli within the progressions of notes.
A psychologist on the other hand would no doubt say it’s psychosomatic.
Myself I simply think that while we are focusing on the music we ignore whatever is troubling us a kind of bio feedback effect so to speak.
The important fact of the matter is that it works!!!
That in itself is ample reason for me, I really dont care about any other reason there might be, it’s not important except to that particular researcher or scientist with a thesis to prove.
Creating Within Limits
June 29, 2008
When I first started playing the piano I wanted to learn how to compose. The idea that I could create something tangible really appealed to me.
So much so that I read everything I could get my hands on to learn the great art of musical composition. The problem was that these books assumed that you knew certain things like form, structure, harmony, and counterpoint. What a disappointment! It was hard trying to take the feelings I had on the inside and put them down on paper.
The real problem was that I had it backwards. Instead of trying to learn composition first, I needed to learn how to improvise - how to free the inner voice from criticism and judgement so I could be free to create the music that was inside of me.
And so I began to read about how to improvise, Again, I was disappointed. I couldn’t find good books on the subject, or books that would show me how to play in the New Age style - the style I loved. Eventually, I stumbled on a simple book that showed how to play using chord changes with 8-bar phrases. Now, here was something I could do! All I had to do now was learn chords. Once I knew how to play a few chords I began to see that in order to really be creative there had to be a set of limitations. An irony, yet one that works!
Beginning Clarinet: The Very Start
June 27, 2008
Like starting with any instrument, beginning clarinet is a process of learning that involves both great achievement and the occasional setback. However, if the beginning clarinetist follows a few tips relating to clarinet care and clarinet playing, the success is sure to outweigh the setbacks.
The first thing that a new clarinet player should learn is to put together their instrument properly, and how to hold it. One of the important things when putting a clarinet together is not to force any part into another, and that the side lever is up when the lower and upper parts are put together, otherwise bent keys could be the result.
This type of care should be extended to all parts of the clarinet ? while it is inevitable that reeds will eventually split, they will last longer with careful care. The clarinet itself will last longer and have less need for repair if it is looked after properly, which includes cleaning after each time it is played and being put in its case properly.
Automatic Control of Chords
June 24, 2008
CORRECT PRACTICE IS INDISPENSABLE!
Your success or failure at the keyboard may well hinge on how quickly and accurately you can memorize a new chord. To be really efficient at this you must use your eyes, your ears, and the muscles of your hands. You must learn a chord so that you can recognize and play that chord the next day without hesitation. Let me explain how to practice to gain this three-way control.
VISUAL CONTROL - After playing a chord, take your hands off the keyboard. Then return to the chord remembering visually where the fingers were positioned. Notice particularly the pattern that was formed by the black and white keys and the location of the melody and root notes. (No two chords look exactly alike.)
Repeat this procedure at least four or five times to learn a chord visually. And, as you are playing the chord, say its name OUT LOUD. You must associate the name of the chord with the actual notes you are playing, if the chord symbol is to have any real meaning later on.
Guitar Facts: A Glossary of Terms
June 22, 2008
It is said that the forerunner of the guitar, the lute, was created by the Greek god, Apollo. In India, it is believed that the sitar, another stringed instrument from which the guitar is descended, is sacred to the goddess Saraswati. And one of the most popular tales about the guitar is the story of how it was pressed into service to play a hymn of praise to Jesus Christ at a Christmas Eve mass when the organ of the church broke.
It’s no wonder that the guitar has a history of association with the divine. The range and styles of music that can be played on the classic stringed instrument is incredible.
From the intricate fire and beauty of classical Spanish and flamenco guitar to the down-home country sounds of good finger-pickin’, the guitar is a versatile and beautiful instrument.
Modern-day guitars have a hollow or solid body, a neck with frets, and a tuning mechanism that is called the machine head. They may be acoustic, or electric, and are one of the most popular instruments in the world.
Those technical descriptions, however, can’t begin to express the sheer versatility of such a simple instrument.
How to Construct Chords and Improvise
June 19, 2008
How To Construct Basic Chords on the Piano
The easiest way to start learning how to build chords is to practice their constructions in the key of C Major. You’re just playing all white keys.
All you have to do is play every other white key to create a 3-note chord. A 3-note chord is called a triad. A 4-note chord is called a 7th chord. And a 5-note chord is called a 9th chord.
Now you have the option of playing your chords in one hand or you may use both hands! It depends upon the sound you want to produce.
How to Improvise Melodies
There’s something irresistible about a real melody. If you can convince the listener that they’re hearing a melody when you improvise, they will stay riveted to every note.
Well, you can - and it’s not really that difficult. The one element that is common to almost all good melodies is: repetition.
To your success,
Mr. Ron
http://www.mrronsmusic.com
Repetition. Repetition and more repetition. I’m referring specifically to the repetition of ideas (motifs, as they are often called). Sometimes the idea is repeated exactly as it occurred the first time, as in the Holiday tune “Jingle Bells.”
Repetition is the Key to Learning Something Deeply
June 16, 2008
Repetition is the key to learning something deeply. It works most effectively when you are isolating a small amount of material, because the object of your focus will be more specific.
When you have the correct chord movement for part of an exercise or tune under you hands, repeat it continuously until is flows. You should notice a gradual increase in your comfort level as you continue repetitions, eventually remove your eyes from both the music and the keys, and keep repeating until the movements seem easy. This activity is especially important for problem spots in harmonic exercise or tunes.
Try to have your hands in position, actually touching the notes before you strike a chord. This will reinforce your “hand memory” of the chord’s shape. When you are ready to play the chord, lift your hands an inch or two and drop the full weight of your hands on the keys, going to the bottom of the key bed.
At first, you probably will miss some notes, and that is OK; simply make the necessary corrections and continue with more repetitions, keeping that feeling of dropping. This will achieve a fuller sound, and your hands will learn the shape of the chords much more quickly and securely.
Music to Echo Your Mood
June 13, 2008
In what way do the kinds of music (rock, rap, classical, instrumental, etc.) change or alter our mood and in what way do our moods effect what music we listen to?
Music has been present throughout the history of man. Of course musical styles change but the power and popularity of music never changes. But why is music so popular? What is it that music offers us and is it just a sound to drown out others?
Our emotions and thoughts are altered and influenced by music. Music can influence our emotions and our behaviour to a great degree, it relaxes us, it energises us, it can make us sad, or happy. Of course music isn’t some type of mind control but it studies have consistently shown the link between music and our moods.
Slow music calms down. Ballads, some forms of classical music and New Age, as well as meditation music create a peaceful atmosphere that is good for relaxing after a busy day or for a romantic dinner. For most people slow music is de-stressing. It allows them to sit down and relax.
Independent Music Promotion on the Web: 3 Steps to Success
June 11, 2008
Let’s face it, the wildfire spread of web-based portals designed to introduce independent music to the world has created a bewildering array of opportunities and costs. So where do they all balance out? When does the cost of signing up to yet another music promotion service yield results? What results are we looking for anyway?
The key is to make your web promotion targeted, systematic and rich.
What is the main drive for independent artists promote their music on the web? The fundamental incentive for web promotion is the opportunity to get your music heard by people who might otherwise never know that you exist! If people know you exist they can become fans and repeat-listeners. Which of those fans buy CD’s and downloads? Targeted listeners.
The most important goal of web promotion is to attract targeted listeners.
Any independent artist who says they use the web to sell their music has missed the primary target - attracting targeted listeners. Attracting targeted listeners should be every independent artist’s first priority. Remember, you don’t sell your music - listeners BUY your music. It’s a buyers market. The more targeted listeners you have, the more sales you make - provided you are systematic in getting your targeted listeners.
Interview With An Up And Coming Musician From Toronto
June 9, 2008
Today, Norm Goldman, Editor of Sketchandtravel.com and Bookpleasures.com is delighted to have as our guest, Dan Goldman, Guitarist, Song Writer, Poet, Arranger and a musician of many other talents.
Dan is here to discuss his world of music and travels.
Norm:
When did your passion for music begin? What keeps you going?
Dan:
I can’t quite remember when my passion began. It seems to have been an inborn appreciation. My earliest memories are of listening to old records and 8-track recordings that my parents had kicking around the house - anything from Kenny Rogers to Neil Diamond sparked my interest at the time. My father played piano, and I always loved listening to his romantic, albeit, slightly schmaltzy touch. I’d press my ear against the soundboard to get the most out of the vibrations.
Norm:
Who were the musicians that influenced you?
Dan:
There are too many to mention; but if I had to narrow it down, I’d say, in order of appearance: The Beatles, The Who, Pink Floyd, Led Zeppelin, my uncle Issac, Classical guitar repertoire including Bach and most of the Spanish composers, Joni Mitchell, Jim Hall, Bill Frisell and on and on.I’m currently into Wilco, Joanna Newsom, Lisa Germano, to name a few.
